Thursday, November 13, 2008

Extra Credit: Joanna Klink

One of the poems Joanna Klink read from her book was entitled “And Having Lost Track.” The poem begins with the line: “And having lost track, I walked toward the open field. Now transparent, now far, the day-moon burned through the waste air.” This clip, standing alone, may have no significant value. However, when looking at the context of the rest of the poem, we can see that Klink often uses nature and the vastness of the outdoors to convey messages of solitude, peace, and serenity. In this particular line, she uses very basic elements (open field, moon, air) to portray a basic scene, to show the calm of the place she turns to when she “loses track.” Though vague, she is able to convey her message. Often, we look for minute details to be able to conjure an image or scene being described, but this is not the case with this poem.
In the conclusion of “And Having Lost Track”, Klink states “that we only exist. That we do not have the means. And are free to take place.” By this, we are shown that we do indeed merely exist in the vastness of our world. As humans, often there is nothing we can do but be as we are, where we are, and exist. Perhaps this is where we ought to be, without attempting to control every aspect of this world, even aspects that we may know very well are uncontrollable. We take place in a world where much is out of our reach, out of our control, and sometimes the best thing to do is sit back and simply exist.

Sunday, November 9, 2008

"Snake Arm" - Judy Chicago


This image by Judy Chicago, entitled “Snake Arm”, is from a series of glass works by Chicago, “Chicago in Glass.” Chicago is known for pioneering “Feminist Art”, which conveys messages of women’s equality, rights and strength. This entire series of “Chicago in Glass” expresses the power of the human hand and how gestures can show meaning. In order to understand this piece of art, the rest of the series must be acknowledged: hands are used to express various emotions and mind-sets and also stand as a symbol of vulnerability and mortality. Differences in hand gestures are used to illustrate choices made, such as reaching out or pushing away. Glass is used because of the transparency, which allows us to see through to what is “underneath the skin.”

This particular piece of work combines a raised fist with an encircling golden snake. The raised fist is a sure symbol of unity, power and uprising, while the symbol of the snake may have controversial meaning. Often, a snake symbol is associated with feminism and fertility, and also of medicine. In this perspective, the snake would be presented positively. However, the snake has also been known to suggest negativity, problems and evil. In the case of this art, the snake resembles a bracelet that is a reminder of powerful women, such as fertility goddesses, biblical Eve and the Greek goddess Athena of wisdom and war. Gold is a symbol of beauty and wealth, and giving the snake this color creates the idea of beautiful, powerful women. Upon looking at this peace, and with background information on the artist and the series, we can come to a fairly complete conclusion about the piece. Though it is no hybrid piece of art (it contains no text), we gather the message the artist is conveying: women have a very powerful, righteous place in society and need to rise above inequality and gender stereotypes. Because of the awareness of Chicago’s purposes in art, it is easier to understand in interpret. Feminism, the cultural context of this piece, is represented in the artwork. By putting together separate components of the human hand and the encircling snake, a piece of rhetoric concerning feminism is created.